And then the other challenge was having unreliable narrators. How do you tell a story where you’re servicing the audience that knows all about it while also trying to tell a story for people who don’t know anything about it? There’s a fine line you have to dance. Having worked on other true-crime stories like the Paradise Lost trilogy, were there any particular challenges to telling this story that you hadn’t encountered in previous work? 'Squid Game' Stars Reflect on Dealing With Show's Success: "It Was Hard to Follow" I’ve been thinking a lot about the era that we live in and the death of truth, and how can I express that? When that I came along, I thought, “This is an interesting way to potentially express this idea.” The whole meditation on this story that people know what the outcome is and yet people want to believe in circumstantial evidence without any corroboration. When that elevator footage went viral in 2013, I was fascinated by it but never really thought that I could add anything to the dialogue because it was a well-known story.
Director Joe Berlinger discusses the challenges he faced while completing the series and why he didn’t want to simply make a “spooky, haunted-house tale.” hotel, highlighting how the story shed light on the rise of online sleuthing and cyberbullying, the hotel’s notorious history, the current state of L.A.’s Skid Row and the stigmatization of mental health. Netflix’s C rime Scene: The Vanishing at the Cecil Hotel revisits the 2013 death of Canadian student Elisa Lam at the infamous downtown L.A.
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